Explore the intriguing world of Andrew Frampton net worth. Learn about the financial success of this renowned musicologist and how his contributions to music have bolstered his earnings.
Quick Facts
| FACT | DETAIL |
| Real Name | Andrew Frampton |
| Popular Name | Andrew Frampton |
| Gender | Male |
| Birth Date | N/A |
| Age | N/A |
| Parents | N/A |
| Siblings | N/A |
| Birthplace | N/A |
| Nationality | N/A |
| Ethnicity | N/A |
| Education | University of Melbourne, DPhil from Merton College, Oxford |
| Marital Status | N/A |
| Sexual Orientation | N/A |
| Wife/Spouse | N/A |
| Children | N/A |
| Dating | N/A |
| Net Worth | N/A |
| Source of Wealth | Academia, Musicology, Editorial Work |
| Height | N/A |
What is Net Worth Of Andrew Frampton in 2024?
As of 2024, Andrew Frampton’s net worth isn’t publicly disclosed or estimated.
Unlike celebrities in the entertainment or sports sectors, academics like Frampton don’t often have publicly known financial profiles.
However, for comparison, prominent figures in similar fields, such as Caetano Maschio Santos and Reinhard Strohm, also famous oxford university musicians, likely have modest net worths reflective of careers in academia and music research.
These figures generally do not accumulate wealth comparable to commercial celebrities but are esteemed for their significant contributions to knowledge and culture.
Andrew Frampton Full Overview and Wiki
Early Life and Education
Andrew Frampton, a notable figure in the world of musicology, has carved out a prestigious academic career, primarily focusing on Baroque music and its influential composers.
His educational journey began with a first-class Bachelor of Music (Honours) degree from the Australian Catholic University and the University of Melbourne, followed by a Master of Music in Musicology, also from the University of Melbourne.
His academic prowess took him to Merton College, Oxford, where he completed a DPhil, further solidifying his expertise in musicology.
Academic and Professional Career
Frampton has held significant positions at Oxford, serving as a Stipendiary Lecturer in Music at St Catherine’s College and a Lecturer in Music at Magdalen College.
His roles have allowed him to deeply influence students through courses ranging from the history of music from the fifteenth to nineteenth centuries to music analysis and musical thought.
Research Focus
Frampton’s research is particularly centered around Central European music of the eighteenth century, with a spotlight on Johann Sebastian Bach and his circle.
He is renowned for his work on Jan Dismas Zelenka, a Bohemian-born composer at the Dresden court, whose life and works he has critically examined, contributing significantly to the revised Grove Music Online article.
Contributions and Collaborations
Beyond his teaching and research, Frampton’s contributions extend to his critical editions of Zelenka’s music, which are utilized in performances worldwide.
He is a regular contributor to the Zelenka Festival Prague–Dresden and actively involved in the Bach Network. His work not only highlights his scholarly dedication but also his ability to bridge historical inquiry with contemporary musical appreciation.
Additional Roles and Achievements
Andrew’s academic journey is complemented by his role as a Library Assistant at the Bodleian Library and St Edmund Hall, where he coordinates music collections and cataloguing projects.
This role underscores his commitment to preserving musical heritage and enhancing academic resources for future scholars.
Impact and Legacy
Through his scholarly work, teaching, and various roles within the musicology community, Frampton has established a lasting impact on the study and appreciation of Baroque music.
His methodological approaches to historical musicology have not only enriched the academic community but also contributed to a broader understanding and appreciation of classical music’s complexities.
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FAQs about Andrew Frampton
Who is Andrew Frampton?
He is a musicologist, pianist, and harpsichordist specializing in Central European music of the eighteenth century. He is a Stipendiary Lecturer in Music at St Catherine’s College, Oxford.
What are Frampton’s main research interests?
His research focuses on the music of Johann Sebastian Bach and his circle, manuscript studies, music philology, and textual criticism. He is notably an expert on Jan Dismas Zelenka, a Bohemian composer.
What awards has Andrew Frampton received?
He has been recognized with several accolades, including the E.T. Bryant Memorial Prize for his contribution to music information studies through his dissertation on historic music collections.
Where did he study?
He completed his DPhil at Merton College, Oxford, focusing on musical sources from the eighteenth century. He also holds degrees in music from the Australian Catholic University and the University of Melbourne.
What teaching roles does Frampton hold?
Frampton teaches various undergraduate courses on music history, music analysis, and musical thought at St Catherine’s College, Oxford. His courses cover a range from the fifteenth to the nineteenth centuries.
Has he published any books or articles?
Yes, he has authored several journal articles and book chapters, including studies on Bach’s St Matthew Passion and the manuscript sources of eighteenth-century composers.
What specific area does Frampton’s doctoral thesis focus on?
His doctoral research investigates the musical sources associated with Johann Friedrich Agricola, a pupil of J.S. Bach.
Is Andrew Frampton involved in any professional musicological organizations?
He is a member of the advisory council of the Bach Network and regularly contributes to the Zelenka Festival in Prague and Dresden.
What are some recent projects or publications by Frampton?
Recently, he has been working towards a critical complete edition of Zelenka’s works and continues to publish on various aspects of eighteenth-century music.
How can one contact Andrew Frampton for academic or professional inquiries?
He can be contacted through his academic email at St Catherine’s College, Oxford.
Conclusion
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