Ever wondered about the financial achievements of your favorite rising stars? Michael Burden, a name that’s been buzzing in the industry, has an intriguing financial story.
Today, we delve into Michael Burden net worth, exploring how this talented musician has monetized his musical skills. Join us as we uncover the figures that define his success in the ever-evolving music landscape.
Quick Facts
| FACT | DETAIL |
|---|---|
| Real Name | Michael Burden |
| Popular Name | Michael Burden |
| Gender | Male |
| Birth Date | March 14, 1960 |
| Age | 64 |
| Parents | N/A |
| Siblings | N/A |
| Birthplace | Adelaide, South Australia |
| Nationality | Australian |
| Ethnicity | Caucasian |
| Education | University of Adelaide, PhD from University of Edinburgh |
| Marital Status | N/A |
| Sexual Orientation | N/A |
| Wife/Spouse | N/A |
| Children | N/A |
| Dating | N/A |
| Net Worth | N/A |
| Source of Wealth | Musicology, Academia |
| Years Active | N/A |
| Genres | N/A |
| Height | N/A |
What is the Net Worth Of Michael Burden 2024?
When comparing Michael Burden with some of the best Oxford musicians, like Johann Nepomuk Hummel and Timothy B. Schmit, it’s essential to consider their contributions to music and academia.
While exact figures for Michael Burden’s net worth aren’t publicly available, his longstanding career at prestigious institutions like the University of Oxford and his significant editorial and research contributions certainly hint at a successful financial status.
In contrast, Johann Nepomuk Hummel, a historical figure in classical music, and Timothy B. Schmit, a renowned rock musician, represent different genres and eras, each with unique financial legacies.
Michael Burden Overview and Wiki
Michael Burden, an acclaimed Australian musicologist, has carved a distinguished career in the United Kingdom, particularly at the University of Oxford. His influence extends beyond academia, touching on significant areas in opera and music history.
Early Life and Education
Born in Adelaide, South Australia, Burden’s early education was at Pulteney Grammar School followed by the University of Adelaide. He furthered his studies with a PhD from the University of Edinburgh, setting the stage for a robust academic career.
Academic and Leadership Roles
Michael Burden’s academic journey has been rich and varied. He serves as a Fellow in Music, Dean, and Chattels Fellow at New College, Oxford. His roles extend beyond administrative duties, encompassing significant contributions to both teaching and research.
From 2015 to 2018, he chaired the board of the University of Oxford’s music faculty, reflecting his leadership and dedication to fostering a robust academic environment.
Contributions to Musicology and Opera
As a director of New Chamber Opera, Burden has played a pivotal role in promoting opera both within and outside the university setting. This position allows him to merge scholarly research with practical applications, bringing historically informed performances to a contemporary audience.
His work in opera is not just limited to administration but also involves active engagement in staging and directing performances.
Research Focus
Michael Burden’s research interests are deeply rooted in the history of stage music, particularly exploring the works of Henry Purcell and the broader aspects of dance and theatre from the 17th to the 19th centuries.
His scholarly output includes a comprehensive catalogue of Metastasio’s operas as performed in London and several critical editions of significant musical works. He is currently working on a book detailing the staging of opera in London from 1660 to 1860, a project that underscores his expertise in the field of opera studies.
Contributions to Music Editions
Michael Burden’s scholarly output includes significant contributions to the editions of works by notable composers.
He has been involved in editing and overseeing the production of collected music editions for composers like Alessandro Stradella and John Eccles, ensuring that their works are accessible and accurately represented for contemporary scholars and performers.
His own editorial projects include seminal works such as:
- Benedetto Marcello’sIl pianto e il riso delle quattro stagioni, published as part of the Recent Researches in Music of the Baroque Era.
- The first complete edition of Henry Purcell’sThe Fairy-Queen, which integrates both the text and the music, published by Edition Eulenburg in 2009.
- William Walton’s opera The Bear, included in the William Walton Collected Edition by Oxford University Press.
- Another work by Benedetto Marcello, Il Trionfo della Poesia, e della Musica, which delves into the celebration of the Virgin Mary, published in the Recent Researches in Music of the Baroque Era.
- Francesco Cavalli’sErismena, featured in the Collected Cavalli Edition and performed both at New College, Oxford, and by the Yale Baroque Opera Project.
Personal Interests
Beyond music, Michael has a passionate interest in architectural history, particularly of his hometown, Adelaide. His book,Lost Adelaide, showcases this passion, highlighting the city’s lost architectural heritage.
Influence and Recognition
Throughout his career, Michael Burden has been recognized for his academic excellence and contributions to musicology. His election as a Corresponding Fellow of the Australian Academy of the Humanities in 2018 is a testament to his standing in the academic community.
Additionally, his involvement with various scholarly societies and foundations further reflects his commitment to enriching the cultural and educational landscapes.
Social Media Accounts
- Facebook: N/A
- Twitter: N/A
- Instagram: N/A
- YouTube: N/A
All about Michael Burden Latest News in 2024
There is no information about his upcoming projects in 2024 yet.
FAQs about Michael Burden
What are Michael Burden’s main research interests?
His research primarily focuses on the history of the London stage from 1660 to 1860, especially in the areas of opera staging techniques and the performance of dance.
Where does Michael Burden teach?
He is a Professor of Opera Studies at the University of Oxford and a Fellow in Music at New College, Oxford.
What significant roles does he hold at New College, Oxford?
He serves as the Dean of New College and holds the titles of Chattels Fellow and Portraits Fellow.
Has he received any awards or honors for his work?
Yes, he was elected a Corresponding Fellow of the Australian Academy of the Humanities in 2018.
What are some notable publications by Michael Burden?
His works include London Opera Observed 1711–1844 and The Fairy-Queen, which is the first complete edition of both the text and the music of this work by Henry Purcell.
Does he have any interests outside of music?
Yes, he has interests in architectural history, particularly the history of architecture and town planning in Adelaide, South Australia. His first book, Lost Adelaide, explores the city’s demolished buildings.
What editorial roles does he have?
He is involved in several editorial boards, including the Journal for Eighteenth-Century Studies and has edited numerous scholarly works in music and dance.
Has he worked on any unique musical projects?
He has produced editions of several baroque operas and staged newly recovered works, such as Francesco Cavalli’s Erismena.
What is Burden’s connection to literary prizes?
He served as a judge on the Duff Cooper Literary Prize from 2003 to 2008, which awards titles in history, biography, politics, and poetry.
Does he contribute to the broader academic and musical communities?
Yes, he has served on the Council of the Royal Musical Association and is a trustee of Répertoire International des Sources Musicales (RISM).
What are some of Michael Burden’s contributions to opera studies?
He has extensively researched and published on the staging of opera and dance in London during the seventeenth, eighteenth, and nineteenth centuries.
Conclusion
As we’ve seen, Michael Burden’s journey through the music industry is not just about chart-topping hits but also significant financial milestones. Rachelparris.com brings you exclusive insights into how his wealth has grown over the years.
Stay tuned for more updates and detailed analyses on your favorite musicians and their inspiring success stories.